According to anonymous reports, NBC has canceled two of its high profile shows, Lipstick Jungle and My Own Worst Enemy. I never watched either, but I’m not at all surprised: Lipstick Jungle looked like a crappy (and presumably watered down) rip-off of Sex and the City, and My Own Worst Enemy… well, it was just one of the worst-titled shows of the season.

Honestly, why name a show My Own Worst Enemy? Especially a thriller? It sounds like a sitcom. Thrillers, especially ones about undercover agents or hitmen or whatever Christian Slater played, should have cool one-or-two-word titles, not some cheesy title that immediately will turn audiences off. Think: Alias, Lost, CSI, JAG, Cold Case, NCIS, The Shield and countless others. Regardless of what you think of those individual shows, nice, short, cool names sell. Clever titles that might work as book titles don’t. My Own Worst Enemy was doomed before the marketing ever started.

Of course, the marketing didn’t help. The concept was cool in theory, but the previews prevented it as more of a gimmick than anything else. They needed some slick, action-packed previews, not the stuff that they threw at audiences seemingly every commercial break.

And personally, I almost find that well known actors are often a detractor for new shows. I’d rather see a show based around an idea rather than around an actor, and the fact that Christian Slater hasn’t done anything of significance in ten years was problematic. I have nothing against the guy, but more often then not, if I see previews for a new show led by a truly recognizable actor, I question its quality.

There’s my random blog post today…

Holy crap. How things can change in six months. The top-rated NBC action series Heroes, which was an instant hit two years ago, has been canceled after a 25% drop in viewership with the third season’s premiere. With advertisers dropping off left and right, NBC will air the remaining seven episodes that have already been filmed and, presumably, wrap things up with a quick season finale - if fans are lucky.

No doubt, fans like me are going to protest this like crazy, as Heroes is one of the most refreshing shows on television. It was a risky venture by NBC - after all, even with superheroes being as popular as ever after successful franchises like X-Men and Spider-man, TV audiences can be finicky, and the thought of a television show about “realistic” superheroes was pushing the acceptability factor of people. Nonetheless, it launched with a slam dunk and just went from there, delivering some of the best television we’ve seen in years (OK, not nearly as good as Lost or Battlestar Galactica).

Unfortunately, the second season was a bit weak at times, and the last several episodes were hurried by the writer’s strike, cutting short major season arcs and conveniently wrapping them up in overly ambitious ways. Season Two saw a ridiculously small amount of episodes, and apparently that was more than enough to kill it for audiences. Still, a 25% decrease is pretty shocking, and NBC must have passed the break-even point as I’m sure Heroes is quite pricey (despite having rather crappy special effects by today’s standards).

Anyway, while Heroes did experience a 25% drop with its season premiere, NBC of course is not really canceling one of its most popular shows. Did you really believe that? Did you?

Yesterday, I posted 8 Reasons Why Heroes: Season Two Was a Disappointment, but that doesn’t mean I didn’t think it was a good season. It just wasn’t nearly as good as the first season, and not just due to higher expectations. Here are some aspects of Heroes: Season Two that I did like quite a bit (DO NOT READ THESE UNTIL AFTER YOU WATCH THE SEASON):

• Maya. Not only is she scorching hot, but she has a killer ability - literally.
• Hiro’s journey back to 17th century Japan. While it seems like some random story at first, as we later find out, it’s all setting the stage for what is to come (or what would have come had the writer’s strike not rushed things). This is the one true storyline that feels very developed.
• Any episodes alluding to the Nightmare Man as worse than Sylar. Too bad he turned out to be no such thing.
• The episode where Claire fakes her death to discredit the head cheerleader.
• The scene where Sylar talks to Maya’s brother Alejandro and tells him that he is going to kill both he and his sister; too bad Alejandro doesn’t speak English.
• Peter goes into the future. Too bad the storyline ends up going nowhere.
• The scene where flying boy West reveals to his girlfriend Claire that he was abducted when he was younger by a man with horn-rimmed glasses. Does it sound like Claire’s dad? Does it?
• The revelation that Takezo Kensei may not be as pleasant as he first appeared, and that he didn’t actually die in 17th century Japan.
• The episode “Four Months Ago”. While it rushed a lot of back story, it did treat us to a pleasant sequence where Maya kills her brother’s wife and everyone else at the wedding. Peter’s back story is also quite interesting.
• The moment where the mastermind killer of the season is none other than Adam Monroe.
• The scene where Bob and Suresh go up against HRG and West to fight over Claire.
• The scene where we learn of Kristen Bell’s weakness: put her in water and she’ll electrify herself.
• Maya learns how to control her powers and Sylar makes his move. There’s nothing sweeter than Sylar making out with Maya while her brother lay stabbed to death just a few feet away. This was a great moment in the series.
• The part where Molly tells Maya that she can’t find her brother anywhere, which means he’s one dead duck.
• Claire threatens to go public.
• Hiro attempts to kill Adam and must go up against Peter in the process.
• Adam Monroe stuck in a coffin. Does this fit within Hiro’s personality, though?
• The assassination of Nathan Petrelli. We saw it coming, but this was another great moment of the series. If I were Peter, I would have froze time right there, right? Oh, and was that Claire’s dad who pulled the trigger?
• The moment where Sylar regains his power, setting the stage for Volume III. However, in all seriousness, I wouldn’t have had Sylar experiment on a can. It would have been much more effective had he done some work on a cat, and while the explosion is off screen, we see blood splatter across Sylar’s smiling face.

While not a great season, Heroes: Season Two was still better than most of the television out there. It’s a shame the writer’s strike cut it short, as they did have some good storylines going. I hope they figure out a way to bring back the biological disaster, as they set too much of the stage to just throw it away.

Heroes: Season Two has come and gone, thanks to the writer’s strike that cut the show short. Even before the writer’s strike was inevitable, however, Heroes: Season Two seemed rushed at times.

First off, let me say that the first Heroes season was a spectacular piece of filmmaking. It was original, entertaining, increasingly dark with humor and lighthearted moments thrown in along the way. It was the most refreshing thing we’ve seen on TV since Lost, and, amazingly, it somehow became a hit. I almost didn’t get into the show but my roommate forced me to watch the season premiere, and instantly, I was hooked.

The second season is still good, but when expectations are high, there are bound to be disappointments. Heroes: Season Two just felt flat at times, with rushed storylines, poor character development and the introduction of new heroes who really aren’t that interesting. A lot of decisions were made with the characters that just didn’t make that much sense.

What, exactly, bothered me? Let me list them, as much as I can remember:

• Mohinder Suresh is just plain stupid this season
  The writers come up with the great idea of having Mohinder go undercover in the company, but then turn him into an idiot by making him become a quasi bad guy. This is all fine and good, but the transition and reasons for doing so just don’t make a lick of sense. Basically, Mohinder acts like a fool, and I’ve really grown to not like the character (when I liked him quite a bit in the previous season). Kill him off already.
• Bringing the dad, Noah (Jack Coleman), back to life
  In one of the better episodes of the season, the dad seemingly gets killed, and it’s a pretty sure thing: he gets a bullet through the eye. At the end of the episode, he is brought back to life. I have three problems with this: one, with his daughter’s blood in him, does that make him a “hero” permanently? If so, aren’t there enough already? Two, the show needs to learn how to keep characters dead. The drama is much more powerful that way. And three, if you are going to bring him back to life, wait a couple episodes and have it be a surprise. If there’s one thing that Heroes is not good at, it’s leading us down one path and then revealing that we were wrong all along. Even comic books do this.
• Niki Sanders (Ali Larter) is just plain stupid
  Having one of the more intriguing powers (and still not fully explained) of the group, I’ve always found Niki’s character interesting, but this season does away with all that. She subjects herself to getting rid of her powers, helps the Company and just does all kinds of weird things. Her behavior is almost understandable, but there’s just something that doesn’t click about the way her character develops. The writers missed a few beats here.
• Peter Petrelli is just plain stupid
  Here’s another character whose motivations almost seem right, only they don’t. The writers messed up here as well, doing the kiss-of-death amnesia storyline and turning Peter into an overly gullible (from just gullible in Season One) idiot who falls into allegiance with a mass killer and doesn’t listen even when Hiro goes out of his way to try to kill Adam. One sight of Hiro, who warned him about impending doom last season, should have been enough to convince Peter that he was on the wrong side.
• Monica isn’t a very interesting hero
  Sure, Monica (the cousin of Micah) has some interesting powers, but her character always seemed a bit forced and was never very interesting. Also, her realizations that she is something special seemed a year out of date, as all of the other characters found out LAST season. Basically, there was no reason to introduce her into the mix when there are so many good characters already.
• Kristen Bell’s character not as dark as she should have been
  They hinted at Bell’s electricity villain being rather nuts (in sequences where she’s with Peter in the prison cell), but then the writer shied away from doing anything really cool with the character. In the end, they make her almost good and try to get the audience to sympathize with her, when in reality it would have been much better to let her play a hot but psychotic “girl” with some very dangerous powers.
• Rushing storylines
  There are just a lot of things that went a little too quickly this season, even before the strike. Peter’s memories coming back to him in a split second seemed like a get-out-of-jail-free card. Peter’s visit to the future feels rushed, too. I can’t think of other specific examples, but the whole season just felt off kilter, as if the writers were afraid to develop things and let them “drag” a little.
• Cutting the season short
  OK, it sucks that the writers went on strike, but I think it was a poor choice to wrap things up with a nice little bow (somewhat). Destroying the virus was not a very good ending. They should have left it open, either with Adam escaping with the virus in hand or something along those lines. We should have been left with a sense of dread and destruction at the end of the final episode. Killing Niki also seemed rather sudden and out of nowhere. I would have much rather them chopped the season in half and end with a few big cliffhangers rather than wrap up stories prematurely.

All in all, this was still pretty good television, but the second season was a noticeable step down from the valiant first season. That being said, read what we liked specifically about the second season!

This is why I don’t watch live television anymore. After TiVo/DVR technology and DVD, I rarely, if ever, watch live television unless it involves sporting events, and tonight, NBC reminded me why. My roommate and I sat down to watch NBC’s broadcast of The Incredibles, one of the few good movies I don’t already own. Things were going fine, until the movie got within 35 minutes of the ending.

NBC proceeded to jump into two to three minute commercial breaks every SIX F**KING minutes. Literally, ever six to seven minutes (I think they made it up with a five minute stint at one point before I started counting), NBC would launch into a commercial break, completely disrupting the flow of the movie. This, people, is why network stations are struggling so much. They are so focused on their advertisers that they neglect their end customers - the viewers. Sure, NBC has a business to run, but a broadcaster’s job is to deliver quality entertaining, and NBC has clearly forgotten this. Their respect for the viewer obsolete, why should I respect or give my business (i.e. my eyes to their advertisements) to a company that does not treat me with any?

Maybe this explains why every upcoming episode of “E.R.” is the “must see” episode of the season…